This
example of type is a cover for Ellen Lupton’s book, Graphic Design Thinking: Beyond Brainstorming. The san serif fonts
are bold and seem to be hand-rendered because the edges of letters look imperfect.
The letters are all kerned out perfectly though, unlike how handwriting is
naturally. But it still works. The book is about how creativity is more than a
talent, but a learned skill. Ellen Lupton discusses how to get ideas with a
range of techniques from quick, to formal research methods. The cover is perfect
for Ellen Lupton because she is known to like hands-on and up-close approaches
to design. Many designers can relate to the image behind the title that bleeds
across the cover. Brainstorming using methods such as mapping is an important
process to help get ideas flowing and eventually help create form. This type
example works very well because it is hand-rendered and relatable. Our thoughts
as designers are usually a little scattered in the brainstorming process, so a
structured map would not work as well for this cover. The book’s audience is
directed towards design students or anyone that wants to find a way to apply
creative thinking to everyday life. I enjoy hand-lettering and hands on
projects, so I just need to practice to get better and use it appropriately in
my design work. Also, I am looking into purchasing this book to have as a
resource because the design process is difficult for me at times, and I get a
little stumped.
Tuesday, March 10, 2015
Swertfeger, Aidalicia
I decided on this example because I am huge into minimalism and find it challenging to represent it in the world of typefaces. In my opinion, when minimalist type is done correctly, it is not only beautiful but pushes your mind a bit further for the overall message. When done incorrectly, as is the case more often than not, you lose the viewer, the message and your credibility.
This specimen aids my design skills but ensuring I pay attention to detail: does my minimalist typeface application read? Does the viewer lose interest in trying to piece together the text? I also will say I've only seen a handful of serif minimalist typefaces, as I'm sure it's difficult to pull off with all the serifs and embellishments.
This specimen aids my design skills but ensuring I pay attention to detail: does my minimalist typeface application read? Does the viewer lose interest in trying to piece together the text? I also will say I've only seen a handful of serif minimalist typefaces, as I'm sure it's difficult to pull off with all the serifs and embellishments.
Kara Albe
This bloody Mary mix was at HEB, and it caught my eye obviously because of the bright bold colors and graphic elements. I love the illustrative quality and the way each bottle works together to create a consistent brand. 3 different fonts of a slab serif are used along with a nice display sans serif. Good hierarchy is established and it feels very Texan but new and fresh, which is what I believe the brand is trying to achieve.
Bria Crain: Week 7
This is a poster created by illustrator Matt Taylor for the movie Dallas Buyers Club. Although not an official movie poster, it is still intended for the audience of moviegoers and is meant to interest people in the film. There are two styles of sans-serif fonts and one script font. This poster stood out to me because the type used for the movie title is also an essential part of the illustration, integrated into the signage. It really draws the viewer in; without the type on the sign, the poster would lose a lot of its effectiveness. In future design projects, I'd like to try and integrate my type with my images and experiment with type created as or out of objects.
Art of War - Robert Johnson 3-9-15
My post today is the cover of the art of warfare by Sun-Tzu. The typeface classification is a serif font, possibly times. The title itself is all in large caps, lending heirarchy and gives the reader a sense of importance. Below the golden paragraph rules is a smaller typeface that holds to regular capitalization, and below that an even smaller typeface that lets us know who translated this version.
I wont get into the chinese typography because I know nothing about it save to say that it is in a beautiful vertical contract to the english type, which I find reasonable because both are in the traditionaly accepted format for the region they come from.
The book is designed to appeal to business people, and leaders of all walks of life, and the stark, simple cover lends a feeling on straightforward intent, no flourishes or illustrations, just business.
I like this style as it communicates clearly without getting too bogged down in aesthetics. In a book such as this, too much embellishment would go against the very nature of the book itself.
I wont get into the chinese typography because I know nothing about it save to say that it is in a beautiful vertical contract to the english type, which I find reasonable because both are in the traditionaly accepted format for the region they come from.
The book is designed to appeal to business people, and leaders of all walks of life, and the stark, simple cover lends a feeling on straightforward intent, no flourishes or illustrations, just business.
I like this style as it communicates clearly without getting too bogged down in aesthetics. In a book such as this, too much embellishment would go against the very nature of the book itself.
Monday, March 9, 2015
Madison Hanlon
Blog: 7
I found this picture on Pinterest. I think this is a creative use of hand- lettering and calligraphy. The way the eye travels is beautiful, and I love the letter spacing and font size. My favorite element to this typography is the on two words into one. I think this is very interesting. I would love to use this in my later work. To be able to play with two words as one object is clever, two meanings in one. To be able to look at a word or an object made out of type and see that it has multiple meaning by its design is a cool look on typography.
Ashley Tann
This is one of my books, Amy Poehler's Yes Please. The book is a collection of short stories, ideas and lists. I'm not sure exactly which typeface is used for the author's name, but I believe it is a Neo-Grotesque sans-serif. The title of the book is an actual neon sign that was made for the book cover. I love the way that the sign and the title work together. I feel like the title "Yes Please" is a description of the way she's lived her life--saying yes to all kinds of opportunities which have led to successes and failures, all of which have ultimately led her to where she's at now: fame. Sometimes I forget that I need to have specific intention behind my design choices, and i think this is a good reminder of how important it is for a good design.
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